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Prophecy in Modern Apocalyptic Literature: A Sacred Tradition

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dc.contributor.author Hunter, Eve M.
dc.date.accessioned 2007-09-24T21:19:40Z
dc.date.available 2007-09-24T21:19:40Z
dc.date.issued 2007-01
dc.identifier.citation Hunter, Eve M. (2007). Prophecy in Modern Apocalyptic Literature: A Sacred Tradition. Lethbridge Undergraduate Research Journal, 1(2). en
dc.identifier.issn 1718-8482
dc.identifier.uri http://hdl.handle.net/10133/473
dc.description.abstract According to Jonathon Penny, there are three modes by which we may identify apocalyptic literature: these modes are prophecy, revelation, and eschatology. Of these three, prophecy is the most important element to consider because it is the element most readily identified with that which is sacred. By examining prophecy and its various functions in Aldous Huxley's Time Must Have a Stop, William Golding's Darkness Visible, and Don DeLillo's White Noise we are better able to comprehend how prophetic presences within the latter novels affect reader perception and therefore affect the way in which we perceive and therefore receive modern apocalyptic literature. en
dc.language.iso en en
dc.publisher Lethbridge Undergraduate Research Journal en
dc.subject Apocalyptic literature en
dc.title Prophecy in Modern Apocalyptic Literature: A Sacred Tradition en
dc.type Article en
dc.publisher.faculty University of Lethbridge en
dc.publisher.institution University of Lethbridge en

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