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dc.contributor.supervisor Taylor, Aaron
dc.contributor.supervisor Olsen, Deric
dc.contributor.author Evernden, Christopher Blake
dc.date.accessioned 2015-01-28T17:52:39Z
dc.date.available 2015-01-28T17:52:39Z
dc.date.issued 2014
dc.identifier.uri http://hdl.handle.net/10133/3623
dc.description.abstract Present day cinema’s singular pursuit of digital visual effects has resulted in a perceptual alienation of the audience due to missing constructive collaboration between artist and audience resulting from the imperfect mix of multiple analog and digital sources in the creation of the illusions. The digital’s ability to represent anything and everything on its own reduces the viewer to a mere spectator and no longer an imaginative participant. The reintroduction of imperfect analog effects, married to the digital medium, allows the viewer to contribute to the illusion rather than be pushed away by the perfectionist digital rendering that does not require their assistance. Both absence and imperfection are essential to selling the illusions of the cinematic landscape. This thesis project, the feature film Prairie Dog, is designed to address this singular digital disconnect in present day cinematic illusions by creating and experimenting in a variety of analog effects in combination with digital processing to illustrate the viability of analog incorporation in present day digital cinema. en_US
dc.language.iso en_CA en_US
dc.publisher Lethbridge, Alta. : University of Lethbridge, Dept. of New Media en_US
dc.relation.ispartofseries Thesis (University of Lethbridge. Faculty of Fine Arts) en_US
dc.subject analog special effects en_US
dc.subject cinema en_US
dc.subject digital special effects en_US
dc.title Digital imperfections : analog processes in 21st century cinema en_US
dc.type Thesis en_US
dc.publisher.faculty Fine Arts en_US
dc.publisher.department Department of New Media en_US
dc.degree.level Masters en_US
dc.proquest.subject 0900 en_US
dc.proquestyes Yes en_US


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