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Basic concepts and vocabulary in the practice and theory of art, based primarily on the period from 1800 to the present, that is the move from modernism to post-modernism, including painting, sculpture, architecture, printmaking, drawing and photo-arts.

An overview of the theoretical and social concepts which are the foundation of contemporary art theory and practice.

An introduction to the theory and practice in painting and related media.

Note: Credit is not allowed for Art 2002 subsequent to the completion of Art 3002.

Credit is not allowed for Art 2002 and Art 2850 (Fundamentals of Painting).

An introduction to the theory and practice in camera and darkroom techniques for black and white photography.

Note: Credit is not allowed for Art 2004 subsequent to the completion of Art 3004.

Credit is not allowed for Art 2004 and Art 2850 (Fundamentals of Photography).

An introduction to theory and studio practice that integrates two- and three-dimensional materials and processes such as drawing, painting, sculpture, photo-arts, printmaking and new media.

Note: Credit is not allowed for Art 2030 and either 2315 or 2316.

A history of the visual arts including painting, sculpture and architecture in Europe from the Paleolithic to the late Gothic period, set within their cultural context.

A history of the visual arts including painting, sculpture and architecture in Europe and North America from 1400 to the present, set within their cultural context.

An introduction to theory and studio practice in drawing and visual analysis.

Note: Credit is not allowed for Art 2315 and 2030.

An introduction to theory and studio practice that integrates two- and three-dimensional materials and processes such as painting, sculpture, photo-arts, printmaking and new media.

Prerequisite: Art 2315.

Note: Credit is not allowed for Art 2316 and 2030.

Using the University of Lethbridge Art Gallery collection, students are introduced to many areas of gallery and museum practice: curating, collections management and research, database practices, registration, exhibition preparation, and public programming.

Prerequisite: Art 1000.

Contact hours per week: 2-8-0

Introduces various technical, aesthetic and theoretical issues of painting with an emphasis on contemporary practice. Diverse approaches and media will be investigated.

Prerequisites: Art 2030, or 2315 and 2316.

The camera and photographic media explored; the history of black and white photography, dark room techniques and processes related to other forms of visual communication.

Prerequisites: Art 2030, or 2315 and 2316.

An introduction to the concepts and processes of printmaking with a concentration on lithographic techniques.

Prerequisites: Art 2030, or 2315 and 2316.

Note: Credit is not allowed for Art 3005 and Art 3850 (Lithography).

An introduction to the concepts and processes of printmaking with a concentration on intaglio techniques.

Prerequisites: Art 2030, or 2315 and 2316.

Studies in printmaking at an advanced level in which a range of approaches and techniques are explored: traditional, experimental and interdisciplinary.

Prerequisite: Art 3005 or 3006.

Introduces various technical, aesthetic and theoretical issues of three-dimensional form and material with an emphasis on contemporary sculptural practice. Diverse approaches will be investigated through a range of assignments in wood, clay, metal and found materials.

Prerequisites: Art 2030, or 2315 and 2316.

Explorations in drawing using a variety of media and methods to examine basic visual principles and structures. Development of observational and analytical skills.

Prerequisites: Art 2030, or 2315 and 2316.

Advanced theory and practice in drawing with an emphasis on experimental techniques and methods.

Prerequisite: Art 3010 or 3160.

Modern and contemporary painting concepts and practice addressed through independent projects, directed study, discussions and reading.

Prerequisite: Art 3002.

Exploration in the current theory and practice of photo-based art.

Prerequisite: Art 3004.

Projects will combine clay with a variety of materials. Processes particular to clay will be the technical focus of this course. Students will be required to purchase lab supplies.

Prerequisite: Art 3008.

The investigation of environment, site-specific and site-conditioned installation in situations exploring both interior and exterior spaces. Collaborative explorations of scale, traditional and non-traditional materials, and media in eco-creative ventures into culture and place.

Prerequisite: Art 3008.

Self-directed study focusing on conceptual and material development in studio practice.

Prerequisites: Two of Art 3007, 3011, 3012, 3014, 3018, or 3062.

Self-directed study focusing on conceptual and material development in studio practice.

Prerequisite: Art 3040.

A critical examination of sound, image and video construction, and the role of computers in contemporary art production. Two- and three-dimensional design issues and philosophy will be covered as they relate to computer environments and the contemporary artist's studio. A number of adjunct technologies will be presented such as digital scanning, digital darkroom, video editing, desktop publishing, digital sound studio and basic web site creation.

Prerequisites: Art 2030, or Art 2315 and 2316.

Note: Credit is not allowed for Art 3060 and Art 3850 (Computer Art).

An exploration of contemporary art video production and its history. This course familiarizes students with contemporary video and film issues, storyboarding, direction and digital assembly. Through screenings, readings and critiques, a range of conceptual and technical problems will be addressed.

Prerequisites: Art 2030, or Art 2315 and 2316.

Note: Credit is not allowed for Art 3061 and Art 4850 (Video Sketchbook).

Advanced investigation of digital production and the contemporary art studio using time-based media, digital installation, and audio sculpture. An examination of philosophies and theories of technology and emerging media in relation to traditional art practice.

Prerequisite: Art 3060 or 3061.

Note: Credit is not allowed for Art 3062 and Art 4060 or 4850 (Advanced Computer Art).

Offerings in subject areas dealing with significant developments in art history.

Prerequisites: Two of Art 2900, 3200, 3215, or 3240.

Continued explorations in drawing focusing on the body as subject. Traditional study from the nude and draped figure will be balanced against a critical examination of issues surrounding figurative representation.

Prerequisites: Art 2030, or Art 2315 and 2316.

Major artists and movements from neo-classicism through post-impressionism in Europe and North America.

Prerequisite: Art 1000.

Aspects of recent and contemporary architecture and design introduced through a series of presentations by practicing architects, designers, architectural historians, critics and writers on design.

Prerequisite: Second-year standing (a minimum of 30.0 credit hours).

Note: Attendance requirement.

A survey of theory, practice, critical response and context of mainstream art movements in Europe and North America from the turn of the century through World War II; Fauvism, Cubism through Surrealism, and American Regionalism and Social Realism.

Prerequisite: Art 1000.

An in-depth investigation into the theory, practice, critical response and context of major North American and European art movements between 1945 and 1970.

Prerequisites: Two of Art 2900, 3200, 3215, or 3240.

Introduction to the major Canadian artists and art movements dating from 1660 to present. Emphasis is placed upon issues and artists of the 20th Century.

Prerequisite: Art 1000.

Directed readings on assigned topics. Attendance at Visiting Artists Series.

Grading: Pass/Fail.

Directed readings on assigned topics. Attendance at Visiting Artists Series.

Grading: Pass/Fail.

An intense investigation into the theory, practice, critical response and context of late-modernist and post-modernist artistic movements since 1970.

Prerequisites: Two of Art 2900, 3200, 3215, or 3240.

Topics in art not covered by regular courses may be offered under this designation, depending on student interest and availability of faculty and expertise.

Provides a critical framework for examining theoretical issues in Museum Studies such as the creation of canons, inclusions and exclusions in museum practices, and the politics of display.

Prerequisite: Art 2900 or third-year standing (a minimum of 60.0 credit hours).

Museum studies research directed toward practical application (such as exhibitions, collections, documentation, text production and/or public programming) focusing on the University of Lethbridge Art Gallery collection.

Prerequisites: Art 2900 and 3900.

Self-directed study focusing on conceptual and material development in studio practice.

Prerequisite: Art 3040 (or Art 3080 prior to 2004/2005).

Self-directed study focusing on conceptual and material development in studio practice.

Prerequisite: Art 4048.

Offerings in subject areas dealing with significant developments in art history.

Prerequisites and recommended background will be specified for individual offerings.

Discussion of principal discourses, ideas and ideologies generated since mid-century. Issues and debates related to the design profession in our time.

Prerequisite: Third-year standing (a minimum of 60.0 credit hours).

Note: Attendance requirement.

Topics in Art not covered by regular courses may be offered under this designation, depending on student interest and availability of faculty and expertise.