Back To: Handouts
|
Curriculum Laboratory
Teaching Ideas Showcase:The Case of the Missing Literary
Devices -- A Picture Book Detective Hunt and Creative
Craft Creation |
For further assistance in using any of the resources in the Lab, please ask
at the Curriculum Lab
Information Services Desk
(This workshop was presented at
the South Western Alberta Teachers' Convention Association 2004 and
2005, and
the teachers who attended the session contributed the example posters
for this handout.)
 |
Objectives of Handout/Workshop |
 |
- Define the types
of "literary devices," and how they are tools for the writer in the
process of writing
- Provide a pre
and/or post-test for the participants, in the form of a paragraph full
of the devices
- Justify the use
of picture books across grades and subjects
- Explore
potential
curriculum connections
- Introduce the
types of literary devices using written and visual clues, including the
enjoyment of a variety of picture books which use these devices
- Have the
participants create definition and example posters for the classroom
(and this web site), using the picture books as examples.
 |
Preparation, and List of Materials |
 |
- This handout for
every two students
- 11 X 17 paper,
two sheets for every two students
- Colour markers
and/or pencil crayons.
- Picture books
for
each group of students, selected from the types listed below, as
appropriate
to the grade
- Creative Craft Creation Activity Sheet
- Can You Find the Hidden Literary Devices
Activity Sheet and Answer
Key
- Literary devices answer key
- OPTIONAL: Edmonton Public Schools has produced an excellent chapter called, "A Writer's Handbook," which covers many literary devices in detail, on pages 151-181 of "Novel Approaches for Junior High Language Arts." This is found in the Curriculum Laboratory collection at 813.5 Hus.
Select the
number of literary devices appropriate for your grade. Note that
they are
organized from most concrete to most abstract, or simple to complex.
- Have students
work in groups of 2-6, depending on the number of categories of books
selected from the list below. Each group of students is paired-up
for the reading and craft activities
Definition, and
Types of Literary Devices
A literary device, for the purposes of this handout,
will be defined as a tool used by any author to improve his/her
writing. Just like a carpenter uses the tools in his/her box
to improve the work he/she does, so a writer can use these tools to
construct a better story. "Authors often paint word pictures of their
impressions of a scene, object, or person. They try to use vivid
and precise words and phrases that appeal to the senses." (Alberta
Learning, p. 137) You must use your imagination to form a "mental
image" of the author's word pictures. This means language is also
an art form! This handout looks at the different
tools, or literary devices, to help you create textual art, including: general
literary devices, figures of speech, sound devices,
parts of speech, and parts of a story.
 |
A Story About the Value of Grammar and Literary Devices Using the Literary Device of Irony, Parody, or Sarcasm: WARNING: A Story Filled with Bad Luck and Misery |
 |
If you are not convinced about the joys and value of learning
about grammar, and other literary devices, their value is praised in
"The Wide
Window" by Lemony Snicket. It is a story about the Baudelaire
orphans: Violet, Klaus, and Sunny are, to quote the back cover,
"kind hearted and
quick witted, but their lives, I am sorry to say, are filled with
bad
luck and misery....If you haven't got a stomach for a story that
includes
a hurricane, a signaling device, hungry leeches, cold cucumber soup, a
horrible
villain, and a doll named Pretty Penny, then this book will fill you
with
despair." In this story, the three orphans go to live with
Aunt
Josephine, who teaches them the value and love of grammar and literary
devices.
Listen to this passage, where you you will also discover
the
value of the natural gifts of the three children. Each child's
gift
saves their lives many times. Sunny, just a baby, starts the
conversation,
at the point we jump into the story:
"Delmo!" Sunny
offered, which
probably meant something along the lines of "If you wish, I will bite
the
telephone to show you that it's harmless."
"Delmo?" Aunt Josephine asked, bending
over to pick up a piece of lint from the faded flowery carpet.
"What do you
mean by 'delmo'? I consider myself an expert on the English
language, and I have no idea what the word 'delmo' means. Is she
speaking some other language?"
"Sunny doesn't speak fluently yet, I'm
afraid," Klaus said, picking his little sister up. "Just baby
talk, mostly."
"Grun!" Sunny shrieked, which meant
something like "I object to you calling it baby talk!"
"Well, I will have to teach her proper
English," Aunt Josephine said stiffly. "I'm sure you all need
some brushing
up on your grammar, actually. Grammar is the greatest joy in
life,
don't you find?"
The three siblings looked at one
another. Violet was more likely to say that inventing things was
the greatest joy
in life, Klaus thought reading was, and Sunny of course took no greater
pleasure than in biting things. The Baudelaires thought of
grammar -- all those rules about how to write and speak the English
language-- the way they thought of banana bread: fine, but
nothing to make a fuss about. Still, it seemed rude to contradict
Aunt Josephine.
"Yes," Violet said finally. "We've
always loved grammar." (p. 17-18)
 |
Introductory or Concluding Activities To Teach Literary Devices |
 |
Using
Many of the Literary Devices
Can
You Find the Hidden Literary Devices?
Most
writing is full of literary devices, which, as we have said, the
writers are using to paint images in their reader's minds. Below are two examples of how you might
introduce students to literary devices:
1) Use any picture book,
or some of the ones recommended in this handout, to introduce
specific literary devices to your students. Find the literary
devices in the book yourself, supply students with the names and
definitions of the literary devices, read the book with the students,
and see if they can find the literary devices.
e.g. We will model this process
with Marie-Louise
Gay's, "On
My Island." (F Gay) (Illustrations from "On My Island."
Copyright 2000
by Marie-Louise Gay. First published in Canada by Groundwood Books Ltd.
Reproduced
with permission of the publisher). In
the
classroom,
read
the
whole
book
to the
students, so they can enjoy the story in its entirety.
2) The
paragraph, below, is full of "hidden" literary devices.
However,
to help you identify them, they are highlighted in italics.:
Learning grammar, and other literary devices, may
not be the highlight of your school experience so far. If
your teachers
weren't into it, the middle aged librarian at your school, with the
bun
in her hair, sure was! I bet you don't often think of literary
devices
as leading into a craft, but it can. The creative energies of Leonardo
DaVinci, and the sharp smell of markers squeaking,
"Skritch, Skritch"
across crisp, clean sheets of paper is not the first tool for
learning
literary devices that you think of. However, I know
that each of you reading this do not need carefully crafted teaching
devices
to learn about literary devices: you all are certainly on
the edge of your seats waiting in anticipation for us to get
started! You are like sponges ready to soak up all
knowledge. You minds are empty computer hard drives, eagerly
waiting for input. You are all black holes, your
minds sucking all knowledge that comes near your grey matter's
gravitation pull. Asleep or awake, your nose knows no way
to stop weighing literary devices, to see if they match the
definitions given you. Like Military Intelligence, your spy
satellite brains mollify the smallest details of grammar to
crisp and larger-than-life detail. You will be mad as a wet
hen if we don't move on with the much anticipated, amazing,
and absolutely astounding literary devices activities, so let us do
that. First, you may have noticed that there are at least two
literary devices in
the title of this handout (apart from parts of speech), and at least
sixteen literary devices in this paragraph (apart from parts of
speech), roughly in
the same order as the devices are listed below. To help you out,
they
are all italicized in the paragraph and title. Can you find them?
Activity sheet and answer
key to the 'Can You Find the Hidden Literary Devices?" activity,
above.
 |
Why Use Picture Books to Teach Literary Devices (Or Any Subject?) |
 |
Picture books are a
wonderful medium to teach a whole variety of subjects, to any age of
child, whether they be small, semi-grown, or fully grown. Picture
books have some
of the following attributes, which make them an amazing teaching tool
for
any subject:
- They awaken
the child in each one of us, which is not a bad thing, and is
sometimes
easily misplaced in our daily lives.
- Well crafted
picture books are written at several different levels. For
example, because they combine visual art and "written art," where the
whole is greater than the sum of the parts, readers and viewers of the
books often see situational and dramatic irony. Since you are at
the start of this handout, you may not know yet that these types of
irony mean that there is a contrast
between the expected and actual event in the story, contrasted by what
is
said in the text, and what is happening in the pictures. It may
be
hidden from the characters in the story.
- Some literary
devices are abstract. Picture books allow us to start from simple,
concrete examples, and allow the the participants to move onto more
abstract examples in more complex writing.
- "When it comes to managing instruction for students with a
range of reading levels, a picture book can be a
lifesaver! Its brief text makes it easy to read in a short amount
of time and helps youngsters focus on the content of the lesson
(Bookbag: Literacy ideas for TeachersDec./Jan. 2003-2004, pp.29)."
- Picture books
are fun! They celebrate the often complex dance between the
visual and written forms of communication, two very powerful ways of
communication we use everyday.
- Because they use
both visual and written forms of communication, they use more than
one
learning style for the participants, right from the start.
- Beyond the great
value of picture books as a creative "dance" between art and text, the
art
in picture books is worth considering on its own. What a fun way
to
learn about art forms, and art as communication!
- For more justification on using picture books
in any curriculum subject, at any grade level, see "Purposes
of the Teaching Ideas Showcase Web Pages and Workshops."
 |
Potential Curriculum Connections |
 |
- Art, grades 1-6 (Taken from the Elementary Art
Program of Studies, p. C1):
- REFLECTION--responses to visual forms in nature, designed
objects and artworks.. It includes analyzing structures in
nature,
assessing designed objects, and appreciating art.
- COMPOSITION--organization of images and their qualities
in the creation of unified statements. In Composition, the
image-making skills developed in Depiction are employed to create
integrated artworks.
- EXPRESSION--use of art materials as a vehicle or medium
for saying something in a meaningful way. In Expression, the
focus is on purpose, theme and subject matter, as well as on media and
techniques.
- English Language Arts: According to
Alberta Education's Program of Studies, "students will listen, speak,
read, write, view and represent" to achieve 5 general outcomes:
- explore thoughts, ideas, feelings and experiences,
- comprehend and respond personally and critically to oral,
print and other media texts,
- manage ideas and information,
- enhance the clarity and artistry of communication, and
respect, support and collaborate with others.
- General outcome 4: Students will listen,
speak,
read, write, view, and represent to enhance the clarity and artistry of
communication:
- 4.1 Enhance and improve. . .
- e.g. Grade 3: Choose words, language
patterns, illustrations or sounds to add detail and create desired
effects in oral, print and other media texts. Add sound effects
to poetry (Alberta Education, Curriculum Standards Branch, Grade
3, p. 25).
- e.g. Grade 4: Use an increasing variety of
words to express and extend understanding of concepts (Alberta
Learning, Curriculum
Standards Branch, Grade 4, p. 28).
- e.g. Grade 7: Identify and explain
figurative and metaphorical use of language in context;
Experiment with figurative language, illustrations... to create visual
images (Alberta Education, Curriculum Standards Branch, Grade 7,
p. 22).
- e.g. Grade 8: Infer the literal and
figurative meaning of words in context, using idioms, analogies,
metaphors, and similes. Experiment with figurative language
(Alberta Education, Curriculum Standards Branch, Grade 8, p. 23).
- 4.2 Attend to conventions, attend to grammar and
usage
- e.g. Grade 3: Identify sentence types,
and use adjectives and adverbs to add interest in writing.
Identify simple and compound sentences (Alberta Education,
Curriculum Standards Branch, p. 23).
- e.g. Grade 4: Identify correct
noun-pronoun agreement (Alberta Education, Curriculum Standards
Branch, p. 23).
- e.g. Grade 6: Identify...forms of
adjectives, and use in own writing (Alberta Education, Curriculum
Standards Branch, p. 26).
The picture books below are sorted
into these types of literary devices, arranged from the most concrete
to the most abstract, or the "simplest" type of literary
devices, to the most "complex:
- Parts of
speech
- Word
concepts
- Sound
devices
- General
literary devices
- Parts
of a story
As a general rule, the more abstract literary devices would be
better introduced at the older grades.
 |
Works Cited |
 |
Some of the titles, below, as well as the inspiration and
ideas for
this handout, are taken from the following two books. They
provide comprehensive coverage of this topic, well beyond the scope of
this handout:
Hall, Susan. (1990).
Using picture
storybooks to teach literary devices. Phoenix: Oryx Press.
Hall, Susan. (1994).
Using picture
storybooks to teach literary devices. 2nd ed.
Phoenix: Oryx Press.
The definitions and example literary devices in quotation
marks used
throughout this handout, are used, with permission, from:
Alberta Education (1999).
English Language
Arts Skills Handbook. Edmonton: Weigl Publishers. (Copyright c
1999. Reproduced by permission of Alberta Education and the Open
Learning Agency.)
See also:
Alberta Education (2002).
English Language
Arts Handbook for Secondary Students. Edmonton: Weigl
Publishers.
Alberta Education Curriculum
Standards
Branch (2000). Illustrative Examples for English Language Arts,
Kindergarten to Grade 9. Edmonton: Alberta Education.
Espy, Willard R.(1982). A Children's
Almanac of Words at Play. New York: C. N. Potter. ("If you harbor an
affection for the magic of words, you cannot help delighting in the
prestidigitations of Willard R. Espy, a man who plucks words our of the
air the way a magician plucks pigeons from a pocket." New York Times
quoted on the back cover of the book.)
Snicket, Lemony (2000).
The Austere Academy. New York: HarperCollins Children's
Books.
Snicket, Lemony. (2000).
The Wide Window. New York: HarperCollins Children's Books.
 |
Picture Book Titles for Teaching Literary Devices |
 |
While some of the titles are taken from the two editions
of "Using Picture Storybooks to Teach Literary Devices," we have
added our own suggested titles, including Canadian titles, marked with
the
symbol.
As of the last update of this handout, any titles the
Curriculum Laboratory has in their collection are marked with a call
number after the title. It would be useful to check the University Library Catalogue for
recent additions, or check your local school or public library.
The definitions and literary device examples in quotation
marks and
not directly cited, are used, with permission, from the "English
Language Arts Skills Handbook. Weigl Publishers, 1999, p. 45-60 and p.
137-146." The rest of the literary device examples are taken from
the "dreadful story" by Lemony Snicket, called "The Austere Academy,"
where the Baudelaire twins continue to face more bad luck and
misery. I apologize for using examples from such a depressing
book, but it happens to be the one I am reading right now, and, like
most stories, it is chock full of literary devices for me
to find!
If you want hints on where to find the "hidden" literary
devices in the picture books, check out the literary devices
answer key.
Parts of Speech: The
Building Blocks of Sentences
Maizels, Jennie. Amazing Pop-Up Grammar Book
Sentence Construction. Remember when I told
you that literary devices were like the carpenter's toolbox for
writers? Just as a carpenter uses wood and other materials to
build a house, a writer uses the following building materials to build
a sentence:
"A sentence is a word or group of words that tells a
complete thought. It begins with a capital letter, and ends with
a punctuation mark."
e.g. "Worms wriggle."
e.g. "Come here!"
e.g. "I am going to watch the football game, but Logan is staying
here."
"Most sentences have two main parts, a subject and a
predicate":
e.g.
SUBJECT
PREDICATE
"The fierce wind
whistled around the house."
The subject is "the word or words that tell what
or whom the sentence is about."
The predicate is "the word of words that show the
action that is being done in the sentence."
Noun:
"Names a person, place, or thing. Most nouns stand for things you
can see or touch. A few nouns stand for things you cannot see or
touch. These nouns name ideas and emotions."
e.g. Person: "sister," or Janice
e.g. Place: "river," or Old Man River
e.g. Thing: "sandwich," or BLT
e.g. Idea: "honesty"
e.g. Emotion: "happiness"
Cleary, Brian. A Mink, A Fink, A Skating
Rink: What Is A Noun? 428.2 Cle
Heller, Ruth. Merry-Go-Round: A Book About Nouns.
372.61 Hel
Proper Noun: "Names a particular person, place, or
thing. It always begins with a capital letter."
e.g. See nouns, above.
Collective
Noun: "Names a group of people, animals, or things."
e.g. "a gaggle of geese"
Greenway, Shirley. Two's Company. 428.2
Gre
Heller, Ruth. A Cache of Jewels. 498.2 Hel
Hooper, Patricia. A Bundle of Beasts.
McCarthy, Patricia. Animals Galore.
McCarthy, Patricia. Herds of Words.
West, Kipling. A Rattle of Bones: A Halloween Book of
Collective Nouns. 428.2 Wes
Pronoun:
"A word that takes the place of a noun."
e.g. "I, me, he, her"
Collins, Herald. Nouns and Pronouns.
Heller, Ruth. Mine All Mine: A Book About Pronouns.
Verb:
"Most verbs are action words. They may be called "doing
verbs." Other verbs are "being verbs," such as "am, is, are,
was, and were."
e.g. "The airplane swoops and soars."
Heller, Ruth. Kites Sail High: A Book
About Verbs.
Iutzi, Cindy. Herb the Verb.
Terbain, Marvin. I Think and Thought And Other Tricky Verbs.
Adjective: "Tells something about a noun or
pronoun. It usually tells which (descriptive adjectives),
what kind, or how many.
e.g. Which: "this toy"
e.g. How many: "five elephants"
e.g. What kind: "gigantic milkshake"
Cleary, Brian. Hairy, Scary, Ordinary:
What is an Adjective? 428.2 Cle
Heller, Ruth. Many Luscious Lollipops: A Book About
Adjectives. 428.2 Hel
Adverb:
"Describe verbs, adjectives, and other adverbs. Adverbs can tell how,
when, where, how often, and to what degree." An adverb
often "describes an action."
e.g. Modifying verb: He nearly forgot his book.
e.g. Modifying adverb: "We almost never have snow this late in the
season."
e.g. Modifying adjective: We were very happy to hear the good
news.
Heller, Ruth. Up, Up, and Away: A Book
About Adverbs. 372.61 Hel
Ragan, Vicki. The Edible Alphabet Book.
Prepositions:
"Shows how the noun or pronoun that follows is related to the rest of
the sentence. A preposition can show a place, time, or manner
relationship.
e.g. Place: "above, across, against, along..."
e.g. Time: "after, before, during, on, since, until"
e.g. Manner: "with, without, like, for, of"
Cleary, Brian. Under, Over, By the
Clover: What
Is A Preposition? 428.2 Cle
Heller, Ruth. Behind the Mask: A Book About
Prepositions. 428.2 Hel
Hoban, Tana. All About Where. 428.2 Hob
Conjunction:
"Used to join two parts of a sentence."
e.g. "Todd and Joy were invited to the birthday party."
(Coordinating conjunction)
e.g. "The beans will not grow unless you water them."
(Subordinating conjunction)
Interjection:
Words that show surprise or emotion.
e.g. Fantastic! Wow!
Heller, Ruth. Fantastic! Wow! and Unreal!
A Book About Interjections and Conjunctions. 428.2 Hel
McMeel, Andrew. Conjunction Junction and Interjection:
What's Your Function?
Punctuation: Marks in writing that take the place of voice changes
and pauses. They can show where one idea stops and another begins, or
show whether the writer is excited or asking a question. Punctuation
are signals that make the meaning of writing clear to its' readers.
e.g.
period, comma, question mark.
Pulver,
Robin. Punctuation Takes a Vacation. F Pul
Word Concepts: Language Is A Game
Synonym:
A word or phrase that means the same thing as another word.
Antonym:
A word opposite in meaning to another:
Davis, Lee. Lifesize Animal Opposite Book.
Hanson, Joan. Antonyms: Hot and cold and other words that
are different as day and night.
Harris, Pamela. Hot, Cold, Shy, Bold. 372.61 Har
Hendra, Sue. Opposites. In Process
Hewitt, Kathryn. Opposites. 372.4 Mea G. 3
Hoban, Tana. Exactly the Opposite. 428.1 Hob
McMillan, Bruce. Becca Backward, Becca Forward. 428.1 McM
Pittau, Francisco. Elephant, elephant: A book of opposites.
Tullet, Herve. Night and Day: A book of eye-catching
opposites.
Watson, Carol. Opposites. 428.1 Wat
Pun/Homonym:
"Use words that sound alike but have different meanings to create
humour."
Abolafea, Yossi. Fox Tale.
Daly, Niki. Mama, Papa, and Baby Joe.
Gwyne, Fred. A Chocolate Mouse for Dinner. 428.1 Gwy
McAfee, Annelena. The Visitors Who Came to Stay.
Macauley, David. Why the Chicken Crossed the Road.
Parish, Peggy. Any of the Amelia Bedelia books. F
Par. PBK F Par
Ross, Tony. The Three Little Pigs.
Stolz, Mary. Storm in the Night. F Sto
Terban, Marvin. Eight Ate. 428.1 Ter
Tolhurst, Marilyn. Somebody and the Three Blairs.
Tremain, Ruthven. Teapot, Switcheroo, and Other Word Games.
793.73 Tre
Walton, Rick. Can You Match This? 818.54 Wal
Walton, Rick. What a Ham! 818.54 Wal
Idiom:
A group of words having a different meaning, by popular use, than if
the words are read individually.
e.g. "You catch more flies with honey than with vinegar." (Snicket, p.
112)
e.g. "Let's not split hairs." (Snicket, p. 157)
Artell, Mike. Fun With Expressions.
It's Raining Cats and Dogs: How Idioms Make Our Language
Exciting.
Nevins, Ann. From the Horse's Mouth: A Book About Idioms.
Terbain, Marvin. In a Pickle. 428.1 Ter
Terbain, Marvin. Mad As A Wet Hen! 428.1 Ter
Terbain, Marvin. Punching the Clock: Funny Action
Idioms. 428.1 Ter
Weinstein, Crazy Idioms.
Oxymoron:
Combination of contradictory words
Agee, Jan. Who Ordered the Giant Shrimp?
420.2 Age
Malapropism:
Character noted for his/her misuse of words.
Parish, Peggy. Any of the Amelia Bedelia
books. F Par. PBK F Par
Sound Devices: Help writers "create stronger word
pictures for readers," using the sounds of words.
Alliteration: "Repetition of the same first sound in a
group of words." It can "create a musical effect."
e.g. "Peter Piper picked a peck of pickled peppers."
Grassby, Donna. A Seaside Alphabet. 421.1 Gra
Harrison,
Ted. A Northern Alphabet. 971.9 Har
Kahl, Virginia. How Do You Hide A Monster?
Kellogg, Stephen. Chicken Little. 398.2 Kel
Lobel, Anita. Alison's Zinnia. 421.1 Lob
Ruurs, Margaret. A Mountain Alphabet. 578.753 Ruu
Shaw, Nancy. Sheep In A Shop. F Sha
Stevenson, James. What's Under My Bed?
Onomatopoeia:
"Imitate the sounds they name."
e.g. "Ping pong."
Benjamin, Alan. Rat-a-Tat, Pitter Pat.
428.1 Ben
Cole, Sheila. When The Rain Stops.
Piper, Watty. Little Engine That Could.
Potter, Beatrix. The Tale of Peter Rabbit. F Pot
Yolen, Jane. Sky Dogs. 398.209 Yol
Yolen, Jane. Welcome to the Green House. 577.34 Yol
Rhyme:
"Repetition of the same vowel and consonant sounds at the end of
words."
e.g. A short poem written by one of the friends of the Baudelaire
children, about a rude, filthy, violent girl at their school:
"I would rather eat a bowl of vampire bats
than spend an hour with Carmelita Spats." (Snicket, p. 44, 46)
Rhythm:
The "beat" of a sentence.
See the suggested titles in the Poetry
Teaching Ideas Showcase handout.
Alderson,
Sue Ann. Bonnie McSmithers, You're Driving Me
Dithers. F Ald
Arnold, Ted. No Jumping On The Bed.
Bouchard,
David. If You're Not From the Prairie. 811.54 Bou
Cameron, Polly. I Can't Said the Ant.
Fitch,
Sherree. If I Were the Moon. 811.54 Fit
Lee,
Dennis. Alligator Pie. 811.54 Lee
Lesynski,
Lois. Nothing Beats a Pizza. Any other Lois
Lesynski's books. "I am crabby, it's true, but adding rhymes to
words unscrambles me." (CLA/ALA Conference, 2003, Lois Lesynski)
O'Huigin. Sean. Scary Poems for Rotten Kids. 811.54 Ohu
Prelutsky, Jack. Beneath a Blue Umbella. 811.54 Pre
Service,
Robert. Cremation of Sam McGee. 811.52 Ser
Steig, William. Shrek.
Stevenson, James. What's Under My Bed?
Yolen, Jane. Color Me a Rhyme. 811.54 Yol
Sounds and
Moods: "Soft consonants (s, m, n, l, r) sound gentle to the ear and
hard consonants (b, p, d, t, k) sound harsh."
Frost, Robert. Stopping by the Woods on a Snowy
Evening.
811.52 Fro
Figures of Speech:
Specific tools writers use to paint "word pictures."
Simile:
"Comparison between two unlike things using like or as."
e.g. "Leaves drifted from the maple trees like tiny
parachutes."
e.g. "He is as clever as a fox."
Browne, Anthony. My Dad. F Bro
Bunting, Eve. The Man Who Could Call Down Owls. F Bun
Carrick, Carol. Dark and Full of Secrets.
Chaucer, Geoffrey. Chanticleer and the Fox. 398.2 Cha
Collins, Meghan. The Willow Maiden.
Dragonwagon, Crescent. Jemima Remembers
Say, Allen. The Bicycle Man
Wallace,
Ian. The True Story of Trapper Jack's Left Big Toe.
Yolen, Jane. Owl Moon. F Yol
Metaphor: "Makes a comparison, but it does not use the
words like or as. Sometimes a metaphor makes the
comparison by using the words is, are, was, or were."
e.g. "I remember once, as a kid, lying back and watching clouds....There
went a nifty schooner....Next came chilly Greenland,
with Labrador much too close for comfort. But the banana
split was the best one of all."
e.g. "The road was a ribbon of moonlight."
Carlstrom, Nancy. Goodbye Geese.
Fleischman, Paul. Rondo in C
Major, Beverly. Over Back.
NcNutty, Faith. The Lady and the Spider
Parnall, Peter. Alfalfa Hill: Winter
Ringgold, Faith. Tar Beach. F Rin
Stephenson, James. What's Under My Bed?
Turner, Ann. Dakota Dugout. F Tur
Yolen, Jane. Owl Moon. F Yol
Personification:
"Giving human characteristics and feelings to animals, objects, and
ideas."
Bourgeois,
Paulette. Franklin Has a Sleepover. F Bou
Burns, Marilyn. The Greedy Triangle. F But
Burton, Virginia Lee. The Little House. F Bur
Ets, Marie Hall. Gilberto and the Wind. F Ets
Little,
Jean. Gruntle Piggle Takes Off. F Lit
Lunn,
Janice. Amos's Sweater. F Lun
Mark, Jan. Silly Tails.
Steig, William. Sylvester and the Magic Pebble. F Ste
Hyperbole: "Exaggeration that is so extreme it cannot be
true."
e.g. "The girl who was yelling at you, I'm sorry to say, was
Carmelita Spats."
"She didn't seem very nice," Klaus said.
"That's the understatement of the century," Isadora said.
"Carmelita Spats is rude, filthy, and violent, and the less time you
spend with her, the happier you will be." (Snicket, p. 44)
Cole, Babette. The Trouble With Grandad.
Hutchins, Pat. The Very Worst Monster. F Hut
McPhail,David. Pig Pig Rides. F McP
Prelutsky, Jack. "I'm The Single Most Wonderful Person I Know" in
"The New Kid on the Block." 811.54 Pre.
Note: I know this is not a picture book, but I like it so much I
am hoping you
will not notice!
Riddle, Tohly. Careful With That Ball Eugene
Synecdoche.
"Using a part to represent the whole of something, or visa
versa.
e.g. "The lookout spotted a sail on the horizon (Sail is used
for ship.)"
General Literary Devices:
General, "all purpose" tools designed to help an author
improve his/her writing.
Allusion:
A reference to another literary character or story, or something or
someone familiar to the reader.
e.g. "I wonder what Hammurabi, the ancient Babylonian, would do to help
us," Klaus said. "He was one of the world's greatest
researchers."
(Snicket, p. 160)
Ahlberg, Janet. Each Peach
Pear Plum. F Ahl
Aliki. Use Your Head, Dear.
Baker, Jeannie. Where the Forest Meets the Sea. 372.6 Ref
Gr. 6(2)
Scieszka, Jon. The Frog Prince, Continued. F Sci
Yolen, Jane. Piggins. 372.4 Mea Gr.3
Foreshadowing:
An incident that points to an upcoming event in a story, used to build
suspense.
e.g. "It was not the buildings or arch that made the children
gasp. It was how the buildings were shaped -- rectangular, but
with a rounded
top. A rectangle with a rounded top is a strange shape, and the
orphans
could only think of one thing with that shape. To the Baudelaires
each
building looked exactly like a gravestone." (Snicket, p. 11)
Allard, Harry. Miss Nelson
Has a Field Day
Arnold, Tedd. No Jumping on the Bed
Attman, Helena Clare. A Grain of Rice. 398.2 Pit
Brett, Jan. Annie and the Wild Animals. F Bre
Bunting, Eve. Someday A Tree.
Crews, Donald. Shortcut
Daugherty, James. Andy and the Lion. 398.2 Dau
DePaola, Tomie. Strega Nona. 398.2 Dep
Fleischman, Paul. Time Train. F Fle
Flournoy, Valerie. The Patchwork Quilt. F Flo
Kellogg, Stephen. Ralph's Secret Weapon. F Kel
Martin, Bill and Archambault, John. Knots On a Counting
Rope. F Mar
Understatement:
A statement less than the truth.
e.g. "The girl who was yelling at you, I'm sorry to say, was
Carmelita Spats."
"She didn't seem very nice," Klaus said.
"That's the understatement of the century, "Isadora said.
"Carmelita Spats is rude, filthy, and violent, and the less time you
spend with her, the happier you will be." (Snicket, p. 44)
Arnold, Tedd. No Jumping On
the Bed. F Arn
Arnold, Ted. No More Water in the Tub. F Arn
Cole, Babette. The Trouble With Gran.
Cole, Babette. The Trouble With Mom.
Noble, Trinka. The Day Jimmy's Boa Ate the Wash. F Nob
Stereotype:
A simplified representation of someone.
Reverse Stereotype: Representing someone the
opposite of their stereotype.
Browne, Anthony. Piggybook.
F Bro
Hutchins, Pat. Rosie's Walk. F Hut
Kellogg, Steven. A Rose For Pinkerton. F Kel
 Little,
Jean. Gruntle Piggle Takes Off. F Lit
 Munsch,
Robert. Paper Bag Princess. F Mun
Steig, William. Sylvester and the Magic Pebble. F Ste
Point
of View:
The perspective of a character in a story.
Arnold, Tedd. Green
Wilma. F Arn
Baylor, Bird. Everybody
Needs
A Rock. F Bay
Brown, Ruth. The Picnic.
Goble, Paul. Death of the Iron Horse.
Granowsky, Alan. Another Point of View series. e.g. HangUp
372.6 Ano. v.3, v.5
Szieszka, Jon. True Story of the Three Little Pigs. F Sci
Willis, Jeanne. Earthlets As Explained by Professor Xargle. F Wil
Flashback:
Interruption of time in a story, with the
insertion of a past incident.
e.g. "The Baudelaires ....were reminded of the last time they saw their
parents, waving good-bye to them as they left for the beach. They
had
not known, of course, that it would be the last moment they would
spend
with their mother and father..." (Snicket, p. 174)
Baylor, Bird. One Small
Blue Beard
Kellogg, Stephen. Missing Mitten Mystery. F Kel
Macaulay, David. Why the Chicken Crossed the Road. F Mac
Stevenson, James. What's Under My Bed?
Van Allsburg, Chris. The Wreck of the Zephyr. F Van
Imagery:
The art of painting images, using words, not paintbrushes.
Bedard, Michael. Emily.
Caudill, Rebecca. A Pocketful of Cricket.
Frost, Robert. Stopping By Woods on a Snowy Evening. 811.52
Fro
Hume, Stephen Eaton. Rainbow Bay. F Hum
Johnston, Tony. Whale Song
Keats, Ezra Jack. The Snowy Day. F Kea
Lobel, Arnold. The Rose in My Garden. F Lob
Snyder, Zilpha Keatley. The Changing Maze. F Sny
Steig, William. Rotten Island
Stoltz, Mary. Storm in the Night. F Sto
Yolen, Jane. Owl Moon. F Yol
Irony or
Paradox: Contrast between the expected and the actual event
or statement (often "hidden" from the characters in the story).
Verbal irony: Saying one thing, but meaning the opposite (e.g.
sarcasm)
Situational irony: Events turn out opposite to what you expect
Dramatic irony: Reader sees what the characters in a story do not
see
Bemelmans, Ludwig.
Madeline. F Bem
Blos, Joan W. Old Henry. F Blo
Cutting, Michael. The Little Crooked Christmas Tree. F Cut
Flack, Marjorie. Angus and the Ducks. F Fla
Gag, Wanda. Millions of Cats. F Gag
 Gay,
Marie-Louise. On My Island. F Gay
Gordon, Margaret. The Supermarket Mice
Howe, James. I Wish I Were a Butterfly. 372.4 Mea Gr. 2
(Nature)
Hutchins, Pat. Rosie's Walk. F Hut
Leaf, Munro. The Story of Ferdinand. F Lea
 Lunn,
Janet. Amos's Sweater. F Lun
McGovern, Ann. Too much noise. PBK F Mcg
Pittman, Helena Clare. A Grain of Rice. 398.2 Pit
Say, Allen. Grandfather's Journey. F Say
Slobodkina, Esphyr. Caps for Sale. PBK F Slo
Steig, William. Doctor, De Soto. F Ste
Wood, Audrey. King Bidgood's in the Bathtub. F Woo
 Yee,
Paul. Roses on New Snow. F Yee
Zion, Gene. Harry and the Dirty Dog. F Zio
Symbol:
The use of an object to represent something else (Sometimes a more
abstract idea).
e.g. (The Baudelaires were forced to run around a large,
glow-in-the-dark "O" they had been forced to paint on the grass, all
night, every night. This was particularly hard for them,
especially Sunny, who was just a baby, and could not even walk yet.)
"...The glowing circle stayed in their minds for so long that it became
symbolic. The word "symbolic" here means that the glowing circle
felt like it stood for more than merely a track, and
what it stood for was zero....It was symbolic about what they knew
about their
situation." (Snicket, p. 136).
Goble, Paul. The Girl Who
Loved Wild Horses. F Gob
Oppenheim, Shulamith Levy. The Lily Cupboard.
Ringgold, Faith. Tar Beach. F Rin
Say, Allen. Grandfather's Journey. F Say
Steig, William. Sylvester and the Magic Pebble. F Ste
Parallel
Story: A story within a story.
Burningham, John. Time to
Get Out of the Bath, Shirley. F Bur
 Gay,
Marie-Louise. On My Island. F Gay
 Gilman.
Phoebe. Something From Nothing. 398.2 Gil
Macauley, David. Black and White. F Mac
McCloskey, Robert. Blueberries for Sal. F McC
Say, Allen. Grandfather's Journey. F Say
Inference:
Like a great detective, the reader draws conclusions from the limited
or "hidden" clues given by the author. That is, the reader "reads
between the lines."
e.g. (Klaus comments on the unusual Latin motto over the archway in
front of their new school:) "If I am not mistaken," said Klaus,
who was rarely mistaken, "'Momento Mori" means "Remember you will
die." The reader might infer from this motto that there is
danger, and perhaps even death, at the school, for them to face.
Bang, Molly. Dawn. F Ban
Allard, Harry. Miss Nelson Has a Field Day
Brighton, Catherine. Five Secrets in a Box
Innocentia, Roberto. Rose Blanche. F Inn
Kraus, Robert. Come Out and Play, Little Mouse. 372.6 Ear
Gr. EC-1 v.38
Mahy, Margaret. Jam, A True Story. F Mah
 Nichol,
Barbara. Dippers.
Wiesner, David. Tuesday. F Wie
Van Allsburg, Chris. The Mysteries of Harris Burdock. F Van
Parts Of A Story: The
Building Blocks Of a Story
Again, literary devices are like the carpenter's toolbox for
writers. Just as a carpenter uses wood and other materials to
build a house, a writer uses the following building materials to build
a story:
Theme:
The underlying topic of a story, a general statement about life.
Brown, Margaret Wise. The Runaway Bunny.
F Bro
Gag, Wanda. Millions of Cats. F Gag
Miles, Miska. Annie and the Old One. F Mil
Paterson, Katherine. The Tale of the Mandarin Ducks.
398.245 Pat
Sendak, Maurice. Where the Wild Things Are. F Sen
Viorst, Judith. Alesander and the Terrible, Horrible, No Good,
Very Bad Day. F Vio
Yolen, Jane. Encounter. F Yol
Tone:
The mood or atmosphere an author creates, often using the senses of
his/her characters.
Booth,
David. The Dust Bowl. F Boo
DePaola, Tomie. Strega Nona. 398.2 Dep
Innocenti, Roberto. Rose Blanche. F Inn
Locker, Thomas. Where the River Begins. F Loc
McFarlane, Sheryl. Waiting For the Whales. F McF
Sciezka, Jon. The True Story of the Three Little Pigs. F
Sci
Smucker, Anna Egan. No Star Nights. F Smu
Vozar, David. Yo, Hungry wolf!: A Nursery Rap. 398.2 Voz
Wood, Douglas. Grandad's Prayers of the Earth. F Woo
Yolen, Jane. All Those Secrets of the World. F Yol
Plot:
What happens in the story? The action plan of a story, usually
involves introduction, rising action, climax, resolution, and
conclusion.
Hutchins, Patricia. Rosie's Walk. F Hut
Davis, Aubrey. Sody Salleratus. F Dav
Setting: When and where does the story take place?
Booth,
David. The Dust Bowl. F Boo
Locker, Thomas. Where the River Begins. F Loc
Characters:
Who or what is the story about?
Caricature: Use of exaggeration to make a character
humorous.
Fox, Mem. Wilfrid Gordon McDonald
Partridge. F Fox
Gay,
Marie Louise. Stella, Star of the Sea (Cartoon Art). F
Gay
Gregory,
Nan. Wild Girl and Gran
McKissack, Patricia. A Million Fish...More or Less
Munsch,
Robert. Mortimer. F Mun
Root, Phyllis. Soup for Supper.
Rylant, Cynthia. The relatives came. F Ryl
Scrimger,
Richard. Princess Bun Bun. (Cartoon Art)
 |
Creative Craft Creation |
 |
- One of the ways you can reinforce the above literary
devices for your students is to have them create posters for your
classroom, based on the examples in the picture books. The
Creative Craft Creation Activity Sheet gives students some
guidelines on how to do this.
- If students finish early, they can find other literary
devices in their books.
- As "good" examples of these posters are done, they will be
posted beside each literary device.
- E-Mail us, using our Comments/Questions
form, if you have any suggestions of other picture books for any of
these categories. List the author and title of the book, the name
of
the literary device, as described above, and an example from the
story. Feel free to submit posters for any of the categories!
Bill Glaister and Margaret Rodermond, August 2003. Updated July 2006. Thank you to the teachers who attended the South
Western Alberta Teachers' Convention Association 2004 and 2005
workshops, and
contributed the example posters for this handout.
|