Slides
3601 Sec A and 3801 resources | Schedule | unit 6

Visual Literacy:

Slide Show / Discussion on Advertising and Visual Literacy

Introduction

Are there legitimate outlets for adolescents to question and challenge authority? Look at inside and outside of schools? What can we learn from what students do outside of school to change what we address inside of schools? Describe how the adolescent is characterized by an increased tension between individual desire (one's own unique take on reality) and the desire to belong to a much larger group. The latter is easily manipulated in public space through advertising because corporations own public space. How can one cause adolescents to question this control? For example ask: Are you willing to give up your individuality to believe in a larger reality created by advertisers?

I want you to think of these images in terms of concrete language codes like hieroglyphics: gestures, stance, formulas, stereotypes. The contradiction in the reading of images or hieroglyphics is that on one hand it is an enigmatic language - there is not a single reading - yet at the same time images have the potential to be the most universally understood language. Also images have the most staying power in their ability to become imprinted in our memories. I'm reading a book called the Art of Memory and it is all about the ability of the visual image to imprint itself in memory. Ask students to close their eyes and think about a memory of something they either read or viewed last night. How many people remember a book? A movie, an ad? If it was a book, do they have a visual memory or do they think of the words?

Ads are situated within a much large network of representation: the cinema and art history. I've included some images from art history to show the origins or persistence of certain stereotypes over time. Ads have to resort more and more to shock value to gain attention. Distortion is so possible now with image processing software such as photoshop. This makes it even more possible to construct images, yet people still tend to believe the photo as a "truth" when it has become like a painting in the way reality is manipulated.

Looking at the poses and gestures of the conventionalized undressed to some dgree nude woman, what do these images signify? (Submission, passivity, vulnerability) What do these conventions mean? In the image Judgement of Paris, Paris awards the apple to the woman he finds most beautiful. Beauty is competitive. If you are not judged beautiful, you are therefor not beautiful. Those who are, are awarded the prize. What is the prize? To be made available to the judge?
What does it mean to be objectified? (The sight of an object stimulates the use of it as an object).

End slide show with examples of Ad Busters of "Shock Ads". Advertising is now trafficking in paradox and postmodern irony. Viewers are becoming more sophisticated and aware that ads are bogus. Therefore some ads are now communicating: "be suspicious of ads. On the other hand, we've been honest, so you can trust us." Increasingly, as young people are targeted, they are becoming compassion fatigued.

 

Slides from Advertising shown next to Images from Art History

 


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See the Ad Busters Ads


3601 Sec A and 3801 resources | Schedule | unit 6
©2000 ICTR&D Faculty of Education, University of Lethbridge