The Important Things to Know About Eating and Drinking (In Lethbridge) – (Food series)

Dodolab (Lisa Hirmer and Andrew Hunter)
October 1 – October 6, 2011
Public-site project

http://www.dodolab.ca/

Snap, Crackle, Pop: Cuddle Commandos Recruitment

Christopher Moore
January 11 – January 15, 2010

Artist Christopher Moore will be enlisting recruits to the Cuddle Commandos Jan. 11-15 outside the Helen Christou Gallery. Click below to watch documentation of these performance interventions.

Unlikely Concerts

Tor Lukasik-Foss

U of L Centre for the Arts Atrium
Bring a Song to the Atrium

‘Unlikely Concerts’ is the title of an ongoing series of site specific performance installations by Tiny Bill Cody, the pseudonym of visual artist and performer Tor Lukasik-Foss. These installations are designed to re-configure the relationship between the performer and audience, and the ways in which public spaces are used.

Launch PROJECT SITE

Please contact Jane Edmundson for more details.

Event page on Facebook

More information:
www.myspace.com/tinybillcody
www.tinybillcody.com

Reference

Land Matters series
Artists: Shawna Dempsey and Lorri Millan
Curator: Josephine Mills

Helen Christou Gallery

reception: Nov. 7, 4 – 6 pm

Check out the Lesbian Ranger tour-of-duty and Blog!

*November 17 – 21: tour-of-duty by Lesbian Rangers Shawna Dempsey and Lorri Millan including a Scintillating Slide show, Tuesday November 18,12:15 to 1:00, room W731.
*Public talk, “Piercing the Thin Skin of Normal: Art and Activism” by Dempsey and Millan, Tuesday November 18, 3:00 – 5:00 pm, SUB Ballroom A. Co-sponsored by the Women Scholars Speakers Series.

Feminist performance artists Shawna Dempsey and Lorri Millan talk about their artistic practice, specifically their use of humour to communicate radical politics to a wide and often unsuspecting audience. Illustrated with excerpts from their video and performance works, this duo’s presentation boldly asserts the power of laughter to change the world.

Reference features work by artists who use playful and performative strategies to address the social aspects of landscape through guidebooks, maps, tours, postcards and other forms of conveying official information about parks, historic sites and landmarks. The exhibition includes a one week tour-of-duty in Lethbridge by the Lesbian Rangers (Shawna Dempsey and Lorri Millan) as well as a selection of informative brochures and other documents from the archives of the Lesbian National Parks and Services. Part of the Land Matters series, Reference also includes work from the U of L Art Collection.

Histories, Realities, Prospects: The Erickson Building

Scott Rogers
A public-site exhibition on the U of L campus

Histories, Realities, Prospects: The Erickson Building consists of three site-specific projects, which investigate and reinvigorate the spaces and history of Arthur Erickson’s famous building at the University of Lethbridge. Developed in response to the fortieth anniversary of the building’s design, these works encourage the public to wander through the site and explore its complicated history, its incredible construction and its role in shaping the social life of the community. Each piece in the exhibition draws upon architecture as a point of departure, developing a dialogue between the past and current state of the site and suggesting possibilities for what the campus could become. An artist-multiple brochure to help navigate the exhibition can be found at the doors of the University of Lethbridge Art Gallery.

Plan
Plan is located in the south coulee extending from the Erickson building to the top of the hill at the opposite side of the drainage. This location was initially scheduled to accommodate a second building similar in scale and design to the existing Erickson building. For various reasons, including structural and budgetary concerns, the project was never completed. This decision had serious consequences for both the integrity of Erickson’s design and the practicality of the existing building. Like a phantom limb marked out with a dotted line, Plan traces the perimeter where this second building was to have stood. Using survey stakes measured out roughly by the artist to approximate the building, Plan takes on the effect of an official site for a new structure. The result of this official quality is the generation of rumors regarding what “could be coming”. The piece simultaneously references the history of the site and encourages people to consider the way campus might have been as they tromp through the prairie grass.

Breeze
Breeze is situated in the breezeway, a massive open space which cuts under the Erickson building at its centre. The piece consists of three airport windsocks installed on flag poles corresponding to the openings under the building. In the original design of the breezeway Erickson intended this area as a site for interaction, studying and socializing – essentially a commons. Unfortunately, the notoriously strong wind in the region blows through this space almost perpetually, creating a wind tunnel effect. The possibility of carrying on a conversation in the breezeway, let alone studying, is often difficult. The windsocks draw attention to this scenario with a tongue-in-cheek commentary suggestive that the breezeway is perhaps more hospitable for the wind than people. But far from a purely cynical gesture, the piece also draws attention to one of the most under utilized and impressive elements of Erickson’s design. By making the wind visible and drawing people down to the breezeway, the socks encourage viewers to examine the relationship between the physical presence of the building and its natural surroundings.

Flow
Running through the A stairwell between the 5th and 8th floors are the series of site-specific paintings titled Flow. These four large scale works depict various stages of the Erickson building’s history, from some of Erickson’s earliest concept drawings to the present day campus. The painting on the final floor of the stairwell goes beyond these conditions to propose a future campus full of fantastical utopian/dystopian plans for the U of L in the year 2267. Intended as both historical document and commentary on University politics and planning, Flow intertwines historical documentation with subjective additions and manipulations. Because the A stairwell is the primary route to the offices of senior administrative staff and the president of the university, these paintings also serve as a wry critique of institutional power and its affect on the lives of those who work and study within officially approved architecture.

Scott Rogers 2007

Walk images

Artist Bio

Scott Rogers is a visual artist and writer currently based in Calgary, Alberta. His work has been exhibited throughout Canada in the form of installations and touring video festivals. Upcoming group exhibitions include Berliner Kunstsalon in Germany, the TULCA festival in Galway, Ireland, Grow-op (with the Arbour Lake Sghool) at the Art Gallery of Calgary and a two-person exhibition at Eastern Edge Gallery in St. John’s, Newfoundland. His writing has been published in exhibition invitations, the journal UnderCurrents from York University’s Faculty of Environmental Studies and in FFWD Weekly. Scott is a founding member and collaborator with The Arbour Lake Sghool, a suburban artist collective in Calgary.